Some of the more interesting areas to carve were details like the belt, belt loops, and folds in the uniform. At this point I am beginning to understand both the capabilities and characteristics of both my medium and my tools. It may also be apparent the there is a bar with weights on it in the background, laying over the right leg. This is because the construction so far is very heavy and wants to fall forward. Before long I decided to build a substantial base, and give the lower body a permanent, and more stable resting place.
The Torso: The primary chunk of wood I would decided on for the torso was discovered on a neighbor's front yard. It was part of a thick tree, sugar maple as I later learned, and was just the right size. Thus, utilizing the same lamination technique, I assembled a rough
torso shape. This time however, I loaded the extremely heavy block onto an old cart that could be moved inside or outside, allowing me more workplace versatility. When I began this section of work, I estimate that the torso weighed 90-100 lbs. I therefore began brainstorming ways to reduce this weight issue, both for ease of transportation, and overall structural stability.
Not sure if you wrote down that artist I suggested you to look at in class. His name is Yoram Wolberger http://www.markmooregallery.com/artists/yoram-wolberger/#
ReplyDeleteI can see where stability may be a problem, especially with the figure positioned in an active stance. Keep in mind the center of gravity of your structure. Good luck. This is very impressive work.
ReplyDeleteAgreed. This is impressive. I love your attention to detail.
ReplyDeleteI like your little red wagon! ;)
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